Art Analysis
and Interpretation
The analysis and interpretation
of an art work is the most basic form of writing in the visual arts.
All Columbia College students will encounter just a small taste of
it in LA 101. All art and art history students will have a chance to
learn in greater depth how to analyze and interpret art works in Art
100, the one-credit hour writing course for art majors and art history
minors.
Art analysis and interpretation work within two concentric frameworks.
The smaller inner framework considers the visual information as presented
by the art work (i.e., the primary source), while the larger outer framework
reflects on verbal information from the title of the art work to the
artist's statement to the historical and cultural context (i.e., secondary
sources).
To understand
the visual information, you need to consider the following:
- Subject matter of
the art work
- Formal compositional
elements, such as:
- line
- shape and space
- light and dark
- color
- principles of design,
such as:
- rhythm
and repetition
- balance
- proportion
- scale
- unity
and variety
To understand
the verbal information, you need to consider the following:
- Title
and label of the art work
- Artist's
statement and possible information in an exhibition catalog (in case
you are looking at an art work in a museum or gallery exhibition)
- Helpful
material in libraries or on the Internet, such as
- books
- professional
magazine and journals
- reliable
newspapers (e.g., The New York Times)
- art dictionaries
and other reference guide books
- reliable
Web sites (e.g., museum Web sites or organizational Web sites)
- Oral
history interview (in case you are discussing an art work that was
produced within the last 50 years or so and you can find a person
who remembers when this art work was first shown and how it was received)
- Historical
and cultural context of the art work
After gathering all
the information, you need to map it out or organize it in some fashion
to help you decide what the focus of your finished essay should be.
In order to help you understand the function and possible purpose(s)
of the art work, it will be helpful to consider the
four traditional roles of the artist:
- to record
the world
- to give
visible or tangible form to feelings
- to reveal
hidden or universal truths
- to help
us see the world in a new or innovative way
It will help your
thought process to consider these roles while accumulating more information
about the work. It is often surprising to experience how suddenly new
ideas develop in creative writing about art while thinking about the
roles of the artist or other verbal information. (The artist's roles
have been identified by Henry M. Sayre in A World of Art, Upper Saddle
River: Prentice Hall, 1994. They are also mentioned under Comparative
Analysis on this Web site.)
The information above
is in part based on Henry M. Sayre, Writing About Art (Englewood Cliffs,
NJ: Prentice Hall, 1995). Sayre provides more extensive information
including examples.
Classes that might require an art analysis and interpretation:
- Art 100 as a special
writing for art and art history students
- All art history courses
require analysis and interpretation on various levels